The Institute of Theoretical and Applied Mechanics 23 records found  1 - 10nextend  jump to record: Search took 0.02 seconds. 
1.
At the beginning of the 20th century, the application of innovative finishes on façades became a popular phenomenon in Belgium. Decorative plasters were frequently used [...]
2.
In the nineteenth century, Marseille was already an established industrial town and had a significant urban development. Its business provided it with a large amount of r [...]
3.
In the French Alps, near Grenoble, in the middle of the 19th century, natural cements were massively used to produce “cast stone” (concrete block), to simulate natura [...]
4.
The use of glazed tiles in façades is typical of urban 19th Century Portuguese architecture and an identity marc that has been the subject of studies and thesis denoting [...]
5.
The city of Coimbra was the first capital of Portugal, in the 12th century. This city has archaeological remains from before the Roman time. The existing buildings predom [...]
6.
This paper presents a procedure for the development of an efficient, durable and compatible solution for the restoration of gypsum-lime elements moulded on site. Based on [...]
7.
Franzoni, E.
The use of cement-based mortars for the repair of ancient masonry joints was quite common in the past and can account for a significant role in masonry decay, especially [...]
8.
Roman cement was extensively used to decorate facades during the nineteenth and beginning of twentieth Century. The interest of this material has been revisited recently [...]
9.
Teatro Nacional de S. João (TNSJ) is the main theatre in the city of Porto, located in the city centre and built in 1918. TNSJ was designed by the well-known architect M [...]
10.
In order to achieve the issues of compatibility for the design of new repair products a complete characterization of the original materials is of extreme importance. Gyps [...]
11.
The Roman Villa at Piazza Armerina in Sicily, built in many successive steps over the 2nd and 3rd centuries A.D., is renowned all over the world for both the wealth and t [...]
12.
This work describes a new analytical diagnosis protocol to assess the environmental impacts on historical mortars acting as supports of wall paintings. The adequate asses [...]
13.
The use of glazed tiles on external façades became popular in Portugal in the 19th Century in a trend that was shared with Brazil. Nowadays the use of this material in e [...]
14.
The plasters of the 16th century Cavallerizza Courtyard in the Ducal Palace in Mantua (Italy) were designed to imitate natural stones (rustication work, carved marble, et [...]
15.
This paper presents historical and characterization studies undertaken to: a) clarify technical interpretation of lime-stucco and plasterwork by historic architectural tr [...]
16.
Natural or Roman cements were the first modern cements to be industrially produced at the beginning of the 19th century in Europe. Used equally by engineers for their hyd [...]
17.
Natural cement was patented in 1796 but it didn’t arrive in Spain until 1835. No one knows exactly where the production started in Spain, because it emerged independent [...]
18.
Natural cement was patented in 1796 but it didn’t arrive in Spain until 1835. No one knows exactly where the production started in Spain, because it emerged independent [...]
19.
Renders and plasters have been continuously used for covering the masonry walls of dwellings even from the Neolithic period. This paper focuses on the analysis and charac [...]
20.
The GuerrieriPalace, now the Palazzo di Giustizia, built in 1550 is an important historical construction in the city of Mantova (Italy). Very characteristic is its tall m [...]
21.
Neoclassical “stucco” decorations were added in 1840 to the 14th century church of San Francesco in Fano (Italy) in order to decorate its interior, but, as a conseque [...]
22.
The aim of the project was to define the causes of damages done to two of thirteen busts made by Jerzy Sobocinski in 1971. The collection belongs to The National Museum i [...]
23.
After cleaning, four 19th century cast busts of illustrious men decorating a Parisian façade revealed severe deterioration. A network of large cracks 0.5 cm wide gave th [...]

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